Global Ad-Supported Video-on-Demand (AVOD) Industry Market Analysis & Competitive Research (2024 – 2030)

The most effective and innovative research report on "Global Ad-Supported Video-on-Demand (AVOD) Market Research Report 2023-2030" gives the overall forecast and future prospects for the Ad-Supported Video-on-Demand (AVOD) Market. The report highlights major market programs, including top market players, latest Deployment Mode trends, key technical growth and development opportunities in the global Ad-Supported Video-on-Demand (AVOD) market, which helps for industry intelligence experts and investors make successful business decisions. In addition, the report is indicating on why interest is increasing for Ad-Supported Video-on-Demand (AVOD) and all important factors that contribute to overall market growth. The Global Statistical Survey Report of Ad-Supported Video-on-Demand (AVOD) is a described for the size of the market in the year 2024 and is expected to reach USD XX million from 2024 to 2030.
The Global Ad-Supported Video-on-Demand (AVOD) Market Research Report 2023-2030 covers market growth drivers and challenges, key market regulations’ information, analysis of new Products from the market leaders and key market trends, market share analysis for major players, supply chain and distribution analysis, Product and Deployment Mode trends, pricing information, emerging applications, technologies and major recent market developments. This information has also been provided for the major country markets in these regions. Market size and growth potential is assessed for these major country markets. Market growth drivers, restraints, government regulations, market share analysis by major competitors, recent major market developments (Product launches, M&A, partnerships, etc.) and other information have been covered for the major country markets listed in this section.
The study gives a short review of the Worldwide Ad-Supported Video-on-Demand (AVOD) in the present situation, and talks about the development of the Ad-Supported Video-on-Demand (AVOD) and its worldwide effect. It comprehensively segments the Ad-Supported Video-on-Demand (AVOD) by type, Deployment Mode and application. The Ad-Supported Video-on-Demand (AVOD) type and application market is additionally bifurcated by geologies and Verticals. Regions secured incorporate North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA), and Latin America; while application secured incorporate Entertainment, Travel, Sports, Others.
Market by type incorporates analysis as Front-End, Intermediate, and Rear-Mounted. The Front-End section is projected to steer the Ad-Supported Video-on-Demand (AVOD) market, in terms valuable, throughout the forecast amount.
This report additionally offers dominant part of the most recent and freshest industry information that covers the general market circumstance alongside future prospects for Ad-Supported Video-on-Demand (AVOD) Market around the globe. The examination think about incorporates huge information and furthermore figures of the Worldwide market which makes the report accommodating asset for promoting individuals, experts, industry officials, deals and item supervisors, and other individuals who need significant industry information in a prepared to-get to arrange alongside clear introduction of diagrams, pictures and tables.
North America is calculable to carry the most important market share and expected to dominate the Global Ad-Supported Video-on-Demand (AVOD) Market from 2024 to 2030. This region has the foremost dominance with property and well-established economies, empowering the region to powerfully invest in analysis and Development (R&D) activities, thereby contributory to the event of recent technologies in Ad-Supported Video-on-Demand (AVOD) Market security and analytics. Further, the government’s support and significant investments by numerous well-established organizations square measure driving the expansion of the market within the North American region.
Market player analysis of major companies such as Tubi, YouTube, Hulu, Crackle, PopcornFlix, Roku, Disney+Hotstar, Youku, iQIYI, Tencent Video, MangoTV.

Particular Scope
Region
  • North America
  • Europe
  • Asia Pacific
  • Middle East & Africa
  • South America
Historic Year 2015 tо 2019
Estimated Year 2020
Forecast Year 2021 tо 2029

THE OBJECTIVES OF THIS STUDY

  • To define, describe, segment, and forecast the Market on the basis of Product Types, Grade Type, End Use Type, and across region.
  • To forecast revenue of the market segments with respect to main European countries
  • To identify the micro markets with respect to drivers, restraints, industry-specific challenges, opportunities, and trends affecting the growth of the market.
  • To strategically analyze market segments and sub segments with respect to individual growth trends, prospects, and contributions to the overall market.
  • To analyze opportunities in the market for stakeholders and provide details of the competitive landscape for market leaders
  • To profile the key players and comprehensively analyze their market position and core competencies in terms of market developments and growth strategies.
  • To track and analyze competitive developments such as partnerships, agreements, collaborations, and joint ventures; mergers and acquisitions; product launches; and research and development activities in the European market.

1 INTRODUCTION
1.1 OBJECTIVES
1.2 MARKET DEFINITION
1.2.1 MARKET SCOPE
1.3 RESEARCH METHODOLOGY
1.3.1 SECONDARY DATA
1.3.2 PRIMARY DATA
1.3.3 MARKET SIZE ESTIMATION
1.3.4 BOTTOM-UP APPROACH
1.3.5 TOP-DOWN APPROACH
1.4 MARKET ASSUMPTION
1.5 STAKEHOLDERS
1.6 CURRENCY
1.7 YEARS CONSIDERED
1.8 LIMITATION
2 EXECUTIVE SUMMARY
3 MARKET OUTLOOK
3.1 INTRODUCTION
3.2 OPPORTUNITIES MATRIX
3.2.1 OPPORTUNITY 1
3.2.2 OPPORTUNITY 2
3.2.3 OPPORTUNITY 3
3.3 MARKET CHALLENGES
3.4 MARKET SHARE ANALYSIS
3.5 VALUE CHAIN ANALYSIS
3.6 COVID-19 IMPACTS ON GLOBAL MARKET (DEMAND AND SUPPLY SIDE)
3.7 PORTER’S FIVE FORCES MODEL
3.7.1 DEGREE OF COMPETITION
3.7.2 BARGAINING POWER OF BUYERS
3.7.3 BARGAINING POWER OF SUPPLIERS
3.7.4 THREAT FROM SUBSTITUTES
3.7.5 THREAT FROM NEW ENTRANTS
4 AD-SUPPORTED VIDEO-ON-DEMAND (AVOD) TYPE ANALYSIS
4.1 INTRODUCTION
4.2 HISTORICAL MARKET TYPE ANALYSIS, 2020–2023
4.3 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
4.4 Y-O-Y GROWTH TREND ANALYSIS
4.5 FRONT-END
4.6 INTERMEDIATE
4.7 REAR-MOUNTED
5 AD-SUPPORTED VIDEO-ON-DEMAND (AVOD) MARKET STREAMING DEVICE ANALYSIS
5.1 INTRODUCTION
5.2 HISTORICAL MARKET STREAMING DEVICE ANALYSIS, 2020–2023
5.3 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
5.4 Y-O-Y GROWTH TREND ANALYSIS
5.5 SMART TV'S
5.6 LAPTOPS & DESKTOPS
5.7 SMARTPHONES & TABLES
5.8 CONSOLE
5.9 OTHERS
6 AD-SUPPORTED VIDEO-ON-DEMAND (AVOD) MARKET ENTERPRISE SIZE ANALYSIS
6.1 INTRODUCTION
6.2 HISTORICAL MARKET ENTERPRISE SIZE ANALYSIS, 2020–2023
6.3 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
6.4 Y-O-Y GROWTH TREND ANALYSIS
6.5 SMALL & MEDIUM ENTERPRISE (SME)
6.6 LARGE ENTERPRISE
7 AD-SUPPORTED VIDEO-ON-DEMAND (AVOD) MARKET ADVERTISEMENT ANALYSIS
7.1 INTRODUCTION
7.2 HISTORICAL MARKET ADVERTISEMENT ANALYSIS, 2020–2023
7.3 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
7.4 Y-O-Y GROWTH TREND ANALYSIS
7.5 PRE-ROLL
7.6 MID-ROLL
7.7 POST-ROLL
8 AD-SUPPORTED VIDEO-ON-DEMAND (AVOD) MARKET APPLICATION ANALYSIS
8.1 INTRODUCTION
8.2 HISTORICAL MARKET APPLICATION ANALYSIS, 2020–2023
8.3 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
8.4 Y-O-Y GROWTH TREND ANALYSIS
8.5 MEDIA & ENTERTAINMENT
8.6 TRAVEL & TOURISM
8.7 SPORTS
8.8 BFSI
8.9 EDUCATION
8.10 RETAIL & CONSUMER GOODS
8.11 IT & TELECOM
8.12 HEALTHCARE
8.13 OTHERS
9 GLOBAL AD-SUPPORTED VIDEO-ON-DEMAND (AVOD) REGIONAL ANALYSIS
9.1 INTRODUCTION
9.2 NORTH AMERICA
9.2.1 NORTH AMERICA HISTORICAL MARKET COUNTRY ANALYSIS, 2020–2023
9.2.2 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
9.2.3 Y-O-Y GROWTH TREND ANALYSIS
9.2.3.1 U.S.
9.2.3.2 Canada
9.2.3.3 Mexico
9.3 ASIA-PACIFIC
9.3.1 APAC HISTORICAL MARKET COUNTRY ANALYSIS, 2020–2023
9.3.2 Y-O-Y GROWTH TREND ANALYSIS
9.3.2.1 China
9.3.2.2 Japan
9.3.2.3 Korea
9.3.2.4 India
9.3.2.5 Rest of Asia-Pacific
9.4 MIDDLE EAST AND AFRICA
9.4.1 MIDDLE EAST AND AFRICA HISTORICAL MARKET COUNTRY ANALYSIS, 2020–2023
9.4.2 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
9.4.3 Y-O-Y GROWTH TREND ANALYSIS
9.4.3.1 Saudi Arabia
9.4.3.2 UAE
9.4.3.3 Egypt
9.4.3.4 Nigeria
9.4.3.5 South Africa
9.5 EUROPE
9.5.1 EUROPE HISTORICAL MARKET COUNTRY ANALYSIS, 2020–2023
9.5.2 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
9.5.3 Y-O-Y GROWTH TREND ANALYSIS
9.5.3.1 Germany
9.5.3.2 France
9.5.3.3 UK
9.5.3.4 Spain
9.5.3.5 Italy
9.6 SOUTH AMERICA
9.6.1 SOUTH AMERICA HISTORICAL MARKET COUNTRY ANALYSIS, 2020–2023
9.6.2 CURRENT AND FUTURE MARKET VALUE (MILLION) PROJECTIONS, 2024–2030
9.6.3 Y-O-Y GROWTH TREND ANALYSIS
9.6.3.1 Brazil
9.6.3.2 Argentina
9.6.3.3 Columbia
9.6.3.4 Rest of South America
10 COUNTRY LEVEL ANALYSIS
10.1 UNITED STATES
10.2 CANADA
10.3 MEXICO
10.4 CHINA
10.5 JAPAN
10.6 INDIA
10.7 KOREA
10.8 SAUDI AREBIA
10.9 UAE
10.10 EGYPT
10.11 NIGERIA
10.12 SOUTH AFRICA
10.13 GERMANY
10.14 FRANCE
10.15 UK
10.16 SPAIN
10.17 ITALY
10.18 BRAZIL
10.19 ARGENTINA
10.20 COLUMBIA
11 MARKET PLAYERS
11.1 TUBI
11.1.1 BUSINESS OVERVIEW:
11.1.2 PRODUCT PORTFOLIO
11.1.3 REGIONAL REVENUE
11.1.4 RECENT DEVELOPMENTS
11.2 HULU
11.3 CRACKLE
11.4 POPCORNFLIX
11.5 ROKU
11.6 DISNEY+HOTSTAR
11.7 YOUKU
11.8 IQIYI
11.9 TENCENT VIDEO
11.10 MANGOTV
11.11 YOUTUBE
11.12 FACEBOOK
11.13 IBM
11.14 VIMEO
11.15 BRIGHTCOVE
11.16 VIDYARD
11.17 KALTURA
11.18 DAILYMOTION
11.19 VDOCIPHER
11.20 SYMPHONYAI MEDIA
11.21 MUVI
11.22 DACAST
12 ABOUT US

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